Hanging like a technological talisman, the work takes the form of an armoured bud, a symbol of active protection. This embryonic form, at once vulnerable and tending towards blossoming, embodies the idea of a regeneration that can only come about through defence and isolation. This approach is in line with the thinking put forward by Bruno Latour in ‘Nous n’avons jamais été modernes’, where he stresses the importance of rethinking our relationship with nature and technology, recognising the hybridity of the world. Latour argues for an approach in which nature and culture are no longer seen as separate domains, but as interdependent entities, in an “assemblage” that he describes as “modernity” - a modernity that would be founded precisely on the integration of technology into our natural cycles of survival and transformation.Hanging like a technological talisman, the work takes the form of an armoured bud, a symbol of active protection. This embryonic form, at once vulnerable and tending towards blossoming, embodies the idea of a regeneration that can only come about through defence and isolation. This approach is in line with the thinking put forward by Bruno Latour in ‘Nous n’avons jamais été modernes’, where he stresses the importance of rethinking our relationship with nature and technology, recognising the hybridity of the world. Latour argues for an approach in which nature and culture are no longer seen as separate domains, but as interdependent entities, in an “assemblage” that he describes as “modernity” - a modernity that would be founded precisely on the integration of technology into our natural cycles of survival and transformation.
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