n his ongoing exploration of the evolution of the back of heads into volcanic plumes, Robert Janitz once again elevates this theme through his innovative application of paint. Utilizing baking flour and a wax medium, he engages the paint in a process reminiscent of almost photographic development. The striking contrast between the prominence and subtlety of the artist's hand in his expansive brush strokes creates a materiality that not only emphasizes the medium itself but also serves as a conduit for creative interpretation.
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