EFA Robert Blackburn Printmaking Workshop

Recent publications by Lizania Cruz, Kameelah Janan Rasheed and Nontsikelelo Mutiti. As educators, instigators, and observers, each artist contextualizes their research and collections through a conceptual print practice: Cruz’s technique of sugar lift in etching to recreate her photograph of UNESCO’s Heritage Site, the first sugar colonial mills in the Americas, noted with its slave rebellion in 1796; the use of Mutiti’s own family photographs, lithographs of images are never reproduced, only their backside; and, Rasheed’s blind drawing with photodeveloper that traces movement with time.