“My work operates within the realm of surreal technics rather than that of communication,” Hashemi says. “It acknowledges the reciprocal power that objects and images have to shape living beings.” He connects this to a biosemiotic perspective, which “suggests that all beings alter their environment in some way and other beings respond to these modifications. Living through signs, in a world structured by semiosis across species, it becomes difficult to distinguish boundaries between beings and things.”
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