[...] Not only pertaining to emotional bonds, the defining parts of the works are also extracts and leftovers of systems existing in late-stage capitalism and socio-political contexts, and hopeful reminders of utopias that we can only perceive in pieces. A new production of a table which takes up physical space but strips the object of its function, carries with itself marks of mythical usage on a precious surface, but still reflects on a moment of collective gathering through its familiar scratch marks.