Finding beauty in a language of misrepresentation, Evron composes the photographs to mirror the confusion of their subject's disguise. Extreme focal or value ranges subvert the traditional technical aspirations for an image's legibility, instead collapsing photographic representation with a subject of illusion. The series reveals the nature of photography as a medium through which it speaks by confronting the viewer with what-we-know to be true and what-we-see them to look like.