Preceding his study of sea cucumbers, Evron's "The Anonymous Shapes of Words" began during COVID. Finding comfort in isolation, he took up caving as an intimate experience with nature. The sentimentality expressed by his search evolved into a photographic series while spelunking through the Midwest, producing vulnerable portraits of the American landscape through its interior forms. A subject carved by millions of years of geological activity, caves not only exist on a scale far-longer than human history, but are also the oldest known exhibition spaces for human art. Challenging the photograph's ability to construct representation through legible illusions, the works combine subject, environment and practice to create cryptic depictions of gravity and form, constructing spaces where culture, nature, and legibility collapse into abstraction.