Berziga’s work converses at once with the analogue and the machine realm. Sculptures possess an air of childlike wonder, naivety framed in structures parsed from the ecclesiastical iconography of the medieval period and the global architectures of communal sites of worship. This interplay between the aesthetics of innocence and those of arithmetical refinement mirrors the broader tensions with which Berziga works—a tightroped balance of spontaneity and control, experimentation and precision, the historied and the potential.