In this diptych, the glint of Doekkabi eyes peers from within an incense burner whilst a vessel sprouts three unexpected legs. Together, they reimagine domestic objects as thresholds between the material and the spectral worlds — objects half-waking into myth. Three-Leggedness invokes asymmetry and transformation — a creature of excess that recalls the ‘Samjok-o’, the three-legged crow of East Asian mythology. With both objects in dialogue with each other, they become an omen of mobility, mutation, and the instability of form itself.

Image courtesy the artist and ai.