EXILE invited New York-based artist Gwenn Thomas and Vienna-based artist Kerstin von Gabain to respond to this temporal collision and create an immersive stage for their artworks. The selected works were deliberately not installed into but onto the existing space itself with some of the artworks’ material sources left in a state of flux themselves. Exposed to the elements, von Gabain’s soap pieces, shaped after human bone structures and arranged within the bathroom space, will begin to sweat and disintegrate over time. Thomas’s translucent glass shapes, their repetitive form taken from an abandoned found object and displayed in the bedroom’s cupboard, slowly pass the changing light of day. Both works respond to the spaces’ fluctuant nature and honor the opportunity to become short-lived, but active connectors between historical space and present visitor.
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