NADA Curated: Reset


Farley Aguilar
(Lyles & King, New York)

Maria Antelman
(Melanie Flood Projects, Portland)

Ina Archer
(Microscope Gallery, New York)

Atong Atem
(MARS Gallery, Melbourne)

Louis Cameron
(Galerie Michael Janssen, Berlin)

Sandra Gamarra
(80m2 Livia Benavides, Lima)

Ximena Garrido-Lecca
(80m2 Livia Benavides, Lima)

Alex Gibson
(WAAP | Wil Aballe Art Projects, Vancouver)

Monika Grabuschnigg
(Carbon 12, Dubai)

Nicolas Grenier
(Bradley Ertaskiran, Montreal)

Marina Heintze
(MINUTIAE, Los Angeles)

Timothy Yanick Hunter
(COOPER COLE, Toronto)

Madjeen Isaac
(Sean Horton (Presents), New York)

Laurie Kang
(Franz Kaka, Toronto)

Jennifer Levonian
(Adams and Ollman, Portland)

Ali Salazar
(Ginsberg, Lima)

Kathi Schulz
(Office Space, Salt Lake City)

Sumire Skye Taniai
(Office Space, Salt Lake City)

Antwoine Washington
(Abattoir Gallery, Cleveland)

About María Elena Ortiz:
María Elena Ortiz is Curator of the Pérez Art Museum Miami (PAMM), where she is also spearheading the Caribbean Cultural Institute (CCI). At PAMM, Ortiz has organized several projects including Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Art Collection (2020); The Other Side of Now: Foresight in Contemporary Caribbean Art (2019); Latinx Art Sessions (2019); william cordova: now’s the time (2018); Beatriz Santiago Muñoz: A Universe of Fragile Mirrors (2016); Ulla von Brandenburg: It Has a Golden Sun and an Elderly Grey Moon (2017); Firelei Báez: Bloodlines (2015); and Carlos Motta: Histories for the Future. Her writing has been published globally. A recipient of the Colección Patricia Phelps de Cisneros (CPPC) and Independent Curators International (ICI) Travel Award for Central America and the Caribbean, Ortiz’s curatorial practice is informed by the connections of Latinx, Latin American, Black communities in the US, and the wider African diaspora.