Patricia Fleming Gallery

Suspended between performance art, sculpture and printmaking, the booth conveys the fluidity of Lynch’s practice, featuring a selection of early sculptures alongside new work, made in collaboration with Rhona Warwick Paterson. Joined by two of Lynch’s early Selfie sculptures, suggesting pencil sketches rendered in wood and two metal-plated Tote Bag sculptures- the detritus of a day’s urban wandering. The work reflects Lynch’s concerns on the relationship between civic planning, architecture, access and emotional response.