Linard Osorio mediates the conversation of image versus object, material versus ground, as he proposes a new field within the picture plane – a landscape of channels between sheets of polycarbonate. Within a window-shaped format that ties the material to its architectural roots, the space inherently suggests a kind of inside-out interface. Structural voids become veils of sapphire, inky green, teal, beige and blush, in liquid-like but sensitively composed images that oscillate between the unintentional stain and the perfect trace – hypothetical landscapes.