Vedpathak’s upbringing in India has played a vital role in shaping her understanding and approach as an artist. Growing up, rituals and meditation were a prevalent part of her life. In 2009, Vedpathak invented a technique she calls plucking, where she separates the fibers of Japanese handmade paper using a tiny pushpin. The resultant paper resembles lace fabric, which she then uses to create individual works. The plucked paper is also saturated with paint, sewn, and collaged to create a single complete work. Plucking is a slow and repetitive process that Vedpathak embraces as a form of meditation. Neha Vedpathak currently lives and maintains a studio in Detroit.