The Salon by NADA and The Community

The production of Niisato’s much-acclaimed works has variously been crafted into vessels and drinking utensils and requires a highly precise level of technique, yet on the other hand, before arriving at their completion, they are necessarily subject to the process of firing, which the artist himself is unable to control.

The works, which deviate from exhibition conditions standard of ceramics that entails placing them on a table or pedestal, and instead move freely according to the flow of air, are presented to the viewer in a new appearance that is different from the delicate tactility of conventional ceramic art.